Project <Living under the rock>, 2024

making poster 


 
《Living under the rock》(2024, IKZP, Leipzig, GER), 2024, Poster, © Dayoung Jung

Light lives under the Rock 1, 2024, Photo, © Dayoung Jung
Light lives under the Rock 2, 2024, Photo, © Dayoung Jung
Light lives under the Rock 3, 2024, Photo, © Dayoung Jung
Light lives under the Rock 4, 2024, Photo, © Dayoung Jung
Light lives under the Rock 3, 2024, Photo, © Dayoung Jung
Light lives under the Rock 6, 2024, Photo, © Dayoung Jung







(KR)

프로젝트 ‘Living under the rock’은 독일의 Petersberg에 있는 벙커를 개조하여 만든 예술공간 IKZP에서 이뤄졌습니다. 포스터 제작과 도큐멘테이션으로 참여했고, 공간을 방문하면서 그 때 찍은 사진들도 그에 대한 기록으로 보실 수 있습니다.


 (EN)

The project ‘Living under the rock’ took place in the IKZP, an art space renovated from a bunker in Petersberg, Germany. 
I participated in the poster production and documentation, and you can also see the photos I took while visiting the space as a record of it.


(DE)





„Living under the Rock” in @_ikzp_

The saying living under a rock suggests the meaning of ‘a life in isolation’. The former Stasi Bunker, located five meters underground, built to function in the times of crisis, became dysfunctional from the beginning. Location camouflaged with daily routines, a place that shouldn’t been found, and so it was an isolated object from the knowledge about itself. Today, we find a place that has been overwritten many times over. An architecture with a lost function, a place of retreat that will probably remain forever due to its massive concrete materiality, and at the same time is difficult to reappropriate due to its atmospheric and spatial quality - a negative space as an immersive installation, placed horizontally underground, and nature sprawling above the earth. The artists’ works approach this complex place in an intuitive, poetic and physical way. Diverse superimpositions of historical, material and sensory traces under and above the earth come together here in their diversity to form something whole, perhaps a third landscape that is difficult to define but can be experienced intensely somatically. The artistic contributions reinforce this place, to which further layers are now added for a short time, reinforcing the impression of alienation, and at the same time questioning the futures and suggesting new contexts for the location. [EN]

Text by Joachim Blank and Brigita Kasperaitė

Participating artists:
Klara Fischer, Li Huhn, Laila Kamil, Brigita Kasperaitė, Arno Selle, Ria Schöneberger, David Schröder, Svetlana Shilankova, Ona Barbora Šlapšinskaitė , Liu Tianxu, Vincent Wolff

Opening Hours:
Friday: 16.00 - Open End
Saturday: 14.00 - Open End
Sunday: 14.00 - 16.00

Organized by Joachim Blank and Anna Raczynska in collaboration with Fabian Lehmann

Graphics by Dayoung Jung
Text from             https://www.instagram.com/p/C8HS70UIZwY/
Detailed exhibition information can be found here.










 


(Dayoung Jung)



(b.1992) approaches space as a site of sensory and emotional experience, exploring the invisible identities and emotional narratives embedded within it. Through photography and video, she captures fragmented images, marginalized perspectives, and remnants of historical memory. Her work reinterprets the identity of space and its sensory landscapes, reconstructing them through mixed media and installation formats. Her exhibitions include the group exhibitions «We,We,We and We»(2024, Runde Ecke, Leipzig), «Walk on the Carpet» (2024, Gewandhaus, Leipzig), «Orthodox X Orthodox» (2023, Seongbuk Art Center, Seoul), «Digging the Earth» (2023, Sunnybrook Art Center, Leipzig), «In the Middle Line: So that We Can See Each Other» (2021, RASA, Seoul). Her solo exhibitions include «Space, Folded Feeling» (2021, Plast). She is currently studing her diploma in the class 'Installation and Space' under Professor Joachim Blank at the Academy of Visual Arts in Leipzig.


Dayoung Jung (*1992) betrachtet den Raum als einen Ort sinnlicher und emotionaler Erfahrung und erforscht die darin eingebetteten unsichtbaren Identitäten und emotionalen Narrative. Durch Fotografie und Video fängt sie fragmentierte Bilder, marginalisierte Perspektiven und Spuren historischer Erinnerungen ein. Diese transformiert sie in Mixed-Media- und Installationsformate, um die Identität von Räumen und deren sinnliche Landschaften neu zu interpretieren. Zu ihren bedeutenden Ausstellungen gehören die Gruppenausstellungen «We,We,We and We»(2024, Runde Ecke, Leipzig), «Walk on the Carpet» (2024, Gewandhaus, Leipzig), «Orthodox X Orthodox» (2023, Seongbuk Art Center, Seoul), «Digging the Earth» (2023, Sunnybrook Art Center, Leipzig), «In the Middle Line: So that We Can See Each Other» (2021, RASA, Seoul). Ihre Einzelausstellungen umfassen unter anderem «Space, Folded Feeling» (2021, Plast). Derzeit studiert sie in der Klasse Installation und Raum unter der Leitung vom Professor Joachim Blank an der Hochschule für Grafik und Buchkunst in Leipzig(HGB).


정다영(b.1992)은 공간을 감각적·정서적 경험의 장소로 바라보며, 그 안에 내재한 비가시적 정체성과 정서적 서사를 탐구합니다. 사진과 비디오를 통해 파편화된 이미지, 주변화된 시선, 역사적 기억의 잔여를 포착하고, 공간의 정체성과 감각적 풍경을 재해석하고 이를 혼합 매체와 설치 형식으로 재구성합니다. 주요 전시로는 그룹전 «We,We,We and We»(2024, Runde Ecke, 라이프치히),«Walk on the Carpet»(2024, Gewandhaus, 라이프치히), «Orthodox X Orthodox»(2023, 성북예술창작터, 서울), «Digging the Earth»(2023, Sunnybrook Art Center, 라이프치히), «중간선상:우리가 서로를 보기 위해서는»(2021, RASA, 서울), 개인전으로는 «Space, Folded Feeling»(2021, Plast, 라이프치히)등이 있습니다.  현재는 라이프치히 미술대학( Hochschule für Grafik Design und Buchkunst)의 Joachim Blank 교수의 클래스 ‘설치와 공간(Installation und Raum)’에서 디플롬을 수료 중입니다.




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